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Released 15 October 2002 Recorded Spring 2002, Length 57: 08 Mel Bush/The Beatmasters/Various chronology (2000) Shine (2002) (2003) Shine is the second released by the classical crossover. It peaked at No. 26 on the UK album charts, and went Gold in six countries. While it peaked at No. 61 on the album charts, it spent five consecutive weeks at No.

1 on the Classical Crossover charts. Bond have described it as having 'slightly more ethnic undertones.' UK, Japan U.S. Title Composed by Length 1 1 'Allegretto', arr and Produced: The Beatmasters 3:54 2 2 'Shine' 3:58 3 3 'Fuego' 2:59 4 4 'Strange Paradise' 4:29 5 5 'Speed', arr. Stuart 7' mix 3:40 6 6 'Big Love Adagio', arr. // 4:58 7 7 ' /.

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Arr and Produced: The Beatmasters 5:08 8 8 'Gypsy Rhapsody'. Arr and Produced: The Beatmasters 3:35 9 9 ' 3:43 10 10 ' 5:21 11 11 'Ride' 4:10 12 12 'Space' /Paul Carter/.

Arr and Produced:The Beatmasters 4:56 13 'Odyssey' arr. By Tania Davis and Brian Gascoigne 4:38 14 13 'Bond On Bond' (adapted from the ), arr. Adapted Wherry 3:03 References [ ].

00:03:40 • • • • • • Stuart Crichton, Composer, Producer - Marius de Vries, Composer - Haylie Ecker, Violin - Bond, MainArtist - Eos, Violin - Gay-Yee Westerhoff, Cello - Jon Dixon, Additional Producer - Michelle de Vries, Composer - Tania Davis, Viola - Emi Music Publishing Ltd., MusicPublisher - Chrysalis Music Ltd., MusicPublisher - Reverb Music Ltd., MusicPublisher - Hit & Run Music, MusicPublisher - Giulio Pieruccu, Additional Producer Copyright: ℗ 2002 Decca Music Group Limited • 6 Albinoni: Big Love Adagio. A sort of cross between Sex and the City and the Kronos Quartet as they might be remixed by Paul Oakenfold (actually Orion and the Beatmasters do most of the producing), Bond is a string quartet of toothsome beauties at least as concerned with their hair and makeup as their playing whose work on Shine is heavily augmented with dance beats. It's a formula that sits them atop the classical crossover charts, up there with Sarah Brightman and Josh Groban, and why not? As with their peers, the music is only ersatz classical, containing classical tunes here and there mixed in with classical-sounding new compositions. And the elaborate dance programming makes the music highly, well, programmable. Leadoff track 'Allegretto' was quickly tapped for an upscale television commercial, a mark of success in this market previously achieved by the likes of Moby.

Here and there among the oddly familiar melodies are actually identifiable ones. 'Strange Paradise' is a much modified version of the same theme from Borodin's 'Polovetsian Dances' in his opera Prince Igor that became the show tune and pop hit 'Stranger in Paradise' from the musical Kismet; 'Kashmir' is the Led Zeppelin song; 'Libertango' comes from Astor Piazzolla; the bonus track, 'Bond on Bond,' is, inevitably, Monty Norman's James Bond movie theme; and 'Space' sounds like the theme from every movie ever set in a Middle Eastern desert (although here it sounds like it comes from a Middle Eastern disco). The CD booklet, full of fashion-style photography, outdoes anything from Britney Spears, and, of course, there's nary a musical instrument in sight. The music may be the least of it, but as marketing, Bond is hard to fault. ~ William Ruhlmann.

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